午夜巴塞罗那

故事发生在美丽的巴塞罗那，美国女孩维姬（丽贝卡·豪尔 Rebecca Hall 饰）和克里斯蒂娜（斯嘉丽·约翰逊 Scarlett Johansson 饰）在度假时认识了名声并不太好的艺术家胡安（哈维尔·巴登 Javier Bardem 饰）。性格迥异的两姐妹在第二次遇到胡安后，对于胡安结伴去奥维耶多过周末的的邀请，热情奔放的克里斯蒂娜一下子就爽快答应了，而即将结婚的维姬却感到深深的不安。
奥维耶多发生了让人意想不到的事情，原本应该和胡安一夜春宵的克里斯蒂娜因病躺在床上休息，而理智现实的维姬却和胡安一夜风流。
当三个人再次回到巴塞罗那之后，维姬的未婚夫道格前来陪伴她，维姬的生活似乎归于平静。而当克里斯蒂娜开始了与胡安热恋并同居的生活之时，胡安的前妻玛丽娅（佩内洛普·克鲁兹 Penélope Cruz 饰）突然出现，这三人之间构筑起一种奇特的关系。于是在盛夏的充满浪漫气息的欧洲名城，一段诙谐而又深刻的关于爱的故事拉开了序幕。
在2009年第81届奥斯卡上，佩内洛普·克鲁兹凭借此片获得最佳女配角奖。

Vicky (Rebecca Hall) and Cristina (Scarlet Johansson) visit Barcelona for the summer, staying with Vicky's relative Judy (Patricia Clarkson) and her husband Mark (Kevin Dunn). A Narrator (voice of Christopher Evan Welch), present throughout the film, describes the two friends: Vicky is practical and mainstream in her approach to love and commitment, and is engaged to the reliable yet even-more-mainstream Doug (Chris Messina). She is in Barcelona doing research for her masters in Catalan Identity, a project spawned by her love of the works of Gaudí and Miro, and is emotionally moved by Spanish guitar. Cristina, on the other hand, is spontaneous and unsure of what she wants in life. She is just out of a relationship and wants to get over the bad time she had making a 12-minute film about love.

At an art exhibition, they notice artist Juan Antonio (Javier Bardem). Cristina is impressed with him at first sight, and grows intrigued when Judy and Mark tell the girls that he had a violent relationship with his ex-wife, María Elena (Penélope Cruz). Later that night, the pair notice him across the room at a restaurant. He and Cristina exchange glances, and he approaches their table, asks Cristina her eye color, and abruptly invites them to accompany him to Oviedo, where they will sight-see, drink wine and, hopefully, make love. While Cristina accepts at once, Vicky is skeptical and refuses. She is eventually convinced, and the pair accompany Juan Antonio to Oviedo in his friend's private plane during a storm.

In Oviedo, after some sight-seeing and a good deal of wine, Juan Antonio invites both women to his bedroom. While Vicky refuses to sleep with him, Cristina agrees, but suddenly falls ill with an ulcer and food poisoning. For the remainder of the weekend, Vicky and Juan Antonio are compelled to sight-see alone. During their jaunts, he tells her about his ex-wife and their passionate yet violent relationship. After more wine over dinner and a guitar concert in a park, Vicky succumbs to Juan's charms and the two make love.

The next day, Juan takes them back to Barcelona. Feeling guilty, Vicky does not confess the incident to Cristina, and the two begin to grow apart, Vicky throwing herself into her research and Cristina experimenting with photography and poetry. Juan Antonio calls Cristina back, and they begin to date. Doug suddenly suggests to Vicky that they get married in Spain in a civil ceremony, assuring her that their blowout wedding will still take place as scheculed in the States. She agrees, with some misgivings, and he flies to Barcelona from New York.

Cristina and Juan Antonio grow closer and Cristina moves in with him. One night, Juan Antonio receives a call that María Elena has attempted to kill herself. Since she has nowhere else to go, he brings her home, and she moves into the guest room. Though initially María Elena distrusts Cristina, she soon develops a liking for her and encourages her photography, which improves as a result.

Cristina soon realizes that the ex-spouses are still in love, and María Elena confides that their relationship was always loving yet unstable because they were missing something, a mystery element neither of them figured out. María Elena now suggests that the missing link is in fact Cristina, and the three indulge in a consensual sexual triangle, as Cristina begins making love to María Elena as well. Cristina discloses the events of her life to Vicky, who appears secretly jealous of her friend's freedom, and to Doug, who disapproves.

As the summer winds to a close, Vicky realizes that she is unsatisfied in her married life, and is still attracted to Juan Antonio. She spies Judy cheating on myopic Mark, yet understands why Judy can't leave her husband, and confides in the older woman. Judy, who sees Vicky as a younger version of herself, and in a vicariously motivated move, takes it upon herself to "make Vicky and Juan Antonio happen". Meanwhile, Cristina realizes that she can't live in a threesome for the long term, and announces that she's leaving Juan Antonio and María Elena. Maria Elena does not take the news well and breaks down. Needing out, Cristina goes to France to spend the last week of her summer. With their "missing link" gone, Juan Antonio and María Elena break up once again.

In a final attempt to pair up Juan Antonio and Vicky, Judy arranges for their "chance" meeting at a party. Juan Antonio begs Vicky to to meet him the next day, her last day in Spain. After lying to Doug and against her better judgement, Vicky goes to Juan's home for lunch, after which Juan tries to seduce her again. She is about to succumb when María Elena enters with a gun and begins firing wildly. As Juan Antonio takes the gun away from the hysterical Maria, it accidentally fires, shooting Vicky in the wrist. Vicky screams at them both, calling them insane, and insisting that she could never live like this, leaves.

When Cristina returns from France, Vicky confesses the entire story to her, while Doug is never told the true version of events. As the three return to the US, Vicky goes back to her mainstream life and Cristina remains where she began, not knowing what she wants, but knowing what she doesn't want. As Vicky chooses to live her planned, perceived ideal life and Cristina chooses to live with no plans for life, they end where they began.

全都不是爱情。
伍迪这个老头子好像很喜欢琢磨女人。三个女人，vicky是黑色，内敛现实；christina是白色，率真洒脱；玛莲娜是红色，天才的灼人，热烈的灼人。vicky是立方体，偶尔滚动最后也稳固落地；christina是球体，偶尔落地最后却不会停留；玛莲娜是跳动的火焰。如果我说她们三个都是你，请不要奇怪，其实本来女人就是很复杂的动物，老伍迪把她剥开了而已。
3P的顶尖和谐~~
你别指望能从Woody Allen这里得到什么显而易见的东西，可你一定得到了些什么东西。
……有声读物……或者，这就是立体小说。紧凑流畅，伍迪艾伦早成精了。
就算是女人，也会好奇为啥两个女人明明爱上同一个男人却没把彼此掐死反而暧昧了起来？双性恋在本片中并不是讨论重点，女人、性和巴塞罗那，才是伍迪艾伦要唱的主旋律…生活总不能平淡的像一潭死水，有一天过一天，走到哪儿算哪儿…
本质上，伍迪艾伦段子式的故事跟彭浩翔是一个调调，他俩对爱情的态度也是一个调调。不过，伍迪艾伦比彭浩翔读过更多书，装逼也更文艺范儿，而且，故事结构更他妈的精巧。所以导演还是应该多读书，别让自己快中年了还只剩下点青春期过剩的荷尔蒙在电影里挥霍。
伍迪·艾伦在讨论女人对爱情的态度。薇琪是理智却心有不甘、蠢蠢欲动；克里斯蒂娜是冲动并渴望浪漫，但不会迷失自我；爱莲娜是一个极端，不顾一切。 你是哪种？我三种都是。
为什么电影里，男人骗女人上床都很容易，现实生活中恰好相反。
如果把直男的意淫拍成一部A片，大抵如此。还有，终于知道欢乐颂的独白从哪学的了。演员演不出的意淫，独白来凑。
“千年之后，我们人类仍然没有学会如何去爱”
有漂亮妞 有西班牙 还有好听的小歌 就足够让人愉快了
只要导演本人不做主角，并且没有絮絮叨叨的知识分子作派对白，那多半就是一部漂亮的“伍迪·艾伦制造”了。
我不知道我要什么，也不知道我不要什么，但我知道我有个不安分的灵魂，蠢蠢欲动
类似一部向《生命中不能承受之轻》的致意之作。其间三人关系的部分，用摄影术语来形容，仿佛一段《生命中不能承受之轻》的反转片——街头随手捕捉下来的黑白照片、暗房、与做为点睛道具出现的黑色礼帽。一个男人，两个女人，妻子与情妇，一个作画、一个摄影，一个单纯坦白随性、另一个狂野不羁火热，然
献给巴塞罗那的情书
奥维多岛的３Ｐ之夜～
非常棒，那种不动声色却跌宕起伏的人物内心变化，是伍迪艾伦电影里最诱人的地方，没有一场多余的戏没有一句多余的对白，都是人物的起承转合。很多情况下，抱着cynical的态度才带来最完美的真实感，爱和人生的真相不一定刺骨冷峻，反而更可能是平淡无聊可笑中的深刻和动人。
从爱情出发，然后离爱情越来越远。有人说这部电影探讨3P的优越性，其实不然，两人关系里的问题与缺陷，换作三人，依然存在。或许只能把爱情当作旅行、点缀和休憩，是美国人的一场巴塞罗那游历。
从作品看导演，大赞伍迪老头的爱情观，爱就是不能克制，怎样舒服怎么来，合适的不一定是喜欢的，但喜欢的也并不一定是合适的。是始终要遵守道德、舆论的束缚的条框为爱而爱还是遵循本心大胆追求自己内心真正所需的“爱”，这显然就是个哲学命题，无关其他。怎么欧美人滚床单就那么随便啊（滑稽脸）…

《午夜巴塞罗那》已经于2008-05-17在西班牙  美国上映。