冰山下的墨西哥湾暖流

Adam's first wife Lilith is mentioned in ancient Oriental legends, in Talmud and in the medieval books of Cabala. According to these sources, she was not created from Adam's rib like Eve but from clay like he himself. Nevertheless Lilith was not recognized by Adam as his equal and left him after a quarrel heading for Babylon where pre-Adamians lived. She has no soul, and she is immortal. Lilith assumes different names, can change her appearance, and takes possession of men against their will. Once it's accomplished, she leaves her victims forever, marking them for either spiritual, or physical death. Whatever she does it is neither Good nor Evil. She is made of an altogether different matter. The story consists of three interrelated stories: "Escape" (1664, Hanseatic League); "Loss" (1883, Russian Empire/France); "Aberration Feelings" (1990, Latvia).

每个年份的故事都做个抽离，传说的奇幻，离奇的情欲和空洞的躯壳。导演还挺喜欢运用移动长镜头的。
看得出導演在畫面一塊花了不少精力以創造光怪陸離的視覺感受。我還真覺得莉莉絲是綠茶婊之鼻祖呢。還有，第二故事裡頭的男主角樣子怪熟悉，啊，原來是小阿裡克謝·日爾曼的《激情》裡頭的男二號——Danila Kozlovsky。
第三个故事有种草草收场的感觉。从此对莉莉丝或相近的名字感到畏惧~ 问LV是否还记得“瓦莱莉和她的奇迹一周”，她说只记得莉莉周~~
有情欲有福利，爱倒是看不出多少
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故事其次，拍的真的美。
性爱欲3世纪 台版sj
别的不说，画面很美……“我既快乐又不快乐，干坏事能使我快乐吗？”，“三年前，他吃海绵死了”
有点无趣，我看的名字是性爱欲三世纪，一语道破影片探讨的主题，挺浅显的，拍的有点故弄玄虚，镜头拉那么近有点压迫感
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